Archive for April, 2010

The Early History of Broadway Musicals

April 29th, 2010

Broadway as a symbol

Broadway is the street in New York that has come to symbolize live theater entertainment and musicals throughout the world. Today the area, known to tourists and theater-goers, stretches from W.41st Street, where the Netherlander Theater is located, up to W. 53rd Street’s Broadway Theater. Only four theaters are located physically on Broadway, the Marquis at 46th Street, the Palace at 47th Street, the Winter Garden at 50th Street and the Broadway at 53rd. All the other legitimate houses are located east or west of this twelve block stretch.

Broadway Stars.

By the 1830’s America was exporting stars to Europe. The first notable American actor to make a successful tour was Edwin Forrest, who at nineteen, had played Iago to Edmond Kean’s Othello. Forrest’s second tour of Great Britain, in the following decade didn’t fare as well. He was hissed off stage. Though the disruption of his tour was a personal feud with a British actor, its results were well publicized in the American Press and his return to the American stage was received with populist fervor. This “personal feud” became an international incident and demonstration of class struggle in 1849, when the British actor in question was scheduled to perform at the Astor Place Opera House in New York. A riot ensued on the night of May 10th which was put down with troops and cannon.

Broadways first marquis.

In 1891, the first electric marquis was lit on Broadway. The theater was on Madison Square at the intersection of Broadway and Fifth Avenue at W. 23rd Street. The Flatiron Building now occupies the site. By midway through the following decade, the street blazed with electric signs as each theater announced its shows and stars in white lights. By the turn of the 20th Century the street had an entirely different look, with as many as sixteen theaters on Broadway itself and many others located on the side streets or other avenues. Broadway was much more than a mere twelve blocks. It started at 13th Street and wound its way a mile and a half up the Avenue to 45th Street, ending in the heart of Long acre Square. This first decade of the century also saw the construction of many theaters, most notably the New Amsterdam on 42nd Street in 1903, along with four others in that same year, that are still standing today.

Our Broadway.

The first decade of the 20th Century was both boring and transformational in the history of our Broadway Musicals. The seeds of that transformation go back to 1882, and the construction of The Madison Square Theater at 24th Street. The Mallory’s, who had built the theater, had employed a young actor-manager from San Francisco along with two brothers from the lower Eastside to help manage the theater. David Belasco, who had the distinction of appearing on stage with another unknown child, Maude Adams, in San Francisco in 1877, was soon to become a playwright, theater owner and builder. The two brothers from the lower Eastside were, of course, Charles and Daniel Frohman. The first sign of the transformation occurred when producer Rudolf Aronson decided to build a theatre of his own. At the time, theatres were concentrated between Union Square and 24th Street.

By: Finn Jensen

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Much more information about Broadway Musicals on this website. See for yourself.

Victor Herbert & Pop Music Industry

April 23rd, 2010

A huge percentage of Americans cannot live without their IPOD and personal music library. Rap, Country, Rock, Show, Movie, Easy Listening – in short – Pop Music is big business, but where did it all come from? The Pop music phenomenon grew in the mid 20th-century, partly stoked by the golden years of Broadway as musicals showcased the music of Rodgers & Hart, Rodgers & Hammerstein, Lerner & Lowe, Comden & Green, Bernstein, Sondheim, etc. These hugely famous productions routinely produced single songs which quickly sold across America as popular sheet music and recordings, finding their way onto the radio, the home piano and the record player in every home in the land. The popular (“Pop”) song became big business, turning unknown composers into American superstars and doing a huge service to their bank accounts. Would you believe this lucrative side business for composers actually started 40 to 50 years prior with the music of Victor Herbert? At the turn of the 20th-century, Victor Herbert was as big a household name in America as is Paul McCartney today. His popularity was based largely on beautiful melodies which America wanted to hear over and over. Sound familiar?

Herbert was the composer of 43 operettas produced on Broadway between 1892 and 1924, each of which contributed hummable, classic songs into the early sheet music business. “Ah, Sweet Mystery of Life,” “Thine Alone,” “I’m Falling In Love With Someone,” “Toyland,” “March of the Toys,” “The Italian Street Song,” “Gypsy Love Song” – the list goes on and on, running into the hundreds and quickly establishing the whole side business of pulling the most popular songs from a theatrical work and creating the public’s desire to hear and play such songs in their home. While Herbert was not the first America composer to have his songs published as sheet music, he quickly became a huge player and influence in the business.

Amazingly, Mr. Herbert’s popularity came at a time when there was no television, no radio and no recordings – a feat not replicated by any other major American composer. During the 1890s, our country’s entertainment came from the piano in the parlor or local saloon, theatrical tours, local band concerts on the “green,” and large professional bands and orchestras coming near their home towns on tour.

Rural America first met Victor Herbert in 1892 when he became the conductor of Gilmore’s Band, also known as the Band of the Twenty-second Regiment of the New York National Guard. He and the Band crisscrossed the entire country regularly, playing marches (civil war favorites), classical arrangements for band, early popular songs and music composed by Herbert. He next became conductor of the Pittsburgh Symphony in 1898 and toured that organization all the way to Carnegie Hall as well as around the country for the next 6 years. Finally, he formed his own Victor Herbert Orchestra in 1904 and continued touring the rest of his life until his death in 1924, all the while composing new melodies which citizens wanted to hear constantly.

The Victor Herbert Orchestra also became the first orchestra to record when Herbert signed a contract with Edison’s National Phonograph Company of Orange, New Jersey in late April of 1909. Now his songs were not only on America’s pianos but also on the early “phonograph” in the form of the Amberol Record (more accurately, a cylinder).

Finally, Herbert and Sousa lobbied Congress relentlessly to add composers to the 1909 Copyright Law, thus protecting those wonderful melodies. Herbert went on in 1914 to be the guiding soul of the seven founding members of ASCAP (American Society of Composers, Authors and Publishers), all because of the unauthorized use in 1913 of his “Sweethearts” waltz (from the operetta Sweethearts) by Shanley’s Restaurant in New York City.

A straight line from Victor Herbert to your IPOD – who would have believed it! The next time you download a favorite song into your IPOD, give a tip of your hat to America’s first musical superstar, Victor Herbert, who laid the foundation for that purchase over a 100 years ago.

By: Alyce Mott

About the Author:
Alyce Mott,
VHSource, LLCA New York City based Victor Herbert specialist and advocate for the past 15 years, Ms. Mott has written new librettos for eight Herbert operettas, all of which have been produced at Lincoln Center, New York City. She is also owner of VHSource, LLC, a central source of Victor Herbert information and affordable Public Domain Herbert librettos, piano/vocals, and orchestrations for performance purposes. The business weds e-commerce and Public Domain materials, delivering product to your desk top for use within an hour.Visit http://www.vherbert.com

The Sound of Music – One of Broadway’s Finest

April 23rd, 2010

As new producers and writers are constantly trying to create the latest and greatest Broadway productions, some musicals continue to inspire audiences across the globe. The Sound of Music is one such musical. This story, which was the last collaboration between Richard Rogers and Oscar Hammerstein, is a timeless tale of love, courage, and sacrifice in a time of war. Add to these plot elements several adorable children, and you have a story that is sure to please.

The Sound of Music is based on a real story of a real family, the von Trapps, who lived during World War II. Maria von Trapp, the mother of the family, wrote The Story of the Trapp Family Singers. The courage of the family inspired the musical that has won the hearts of audiences since its opening in 1959.

The story begins as a young postulant is found missing at required prayer time. She is actually dancing through the hills of her beloved Austria. She is called back to the abbey, where she faces a reprimand for singing in the halls of the abbey during prayers. The Mother Abbess suggests that the abbey is probably not the right place for Maria at this time in her life, and sends her to be the governess of seven children in the home of Captain Georg Ritter von Trapp.

Von Trapp runs his family as he would his ship. The children rarely play, are always dressed perfectly, and are expected to act perfectly as well. The free-spirited Maria disagrees with this parenting model, and when the Captain is sent away she allow the children to explore their creative sides, which leads them to discover that they sing beautifully together.

As Marie wins the hearts of the children, she also wins the heart of the Captain. They are soon married, and the Captain is given orders to serve in Hitler’s army. They plan a daring escape that will keep him from this terrible fate and allow them to live together as a family in relative freedom.

Part of the reason for the longevity of The Sound of Music is the fact that its songs have become part of mainstream culture. “My Favorite Things” is often sung around the holiday season, and several musicians have made their own renditions of this lighthearted tune. Even in parody, songs from The Sound of Music make their way into mainstream television on many occasions.

The Sound of Music has won eight Tony Awards, including awards for Best Musical, Best Book, and Best Score. Part of its popularity is the fact that it is the last time the famous team of Rogers and Hammerstein worked together. Sadly, Hammerstein lost his battle to cancer just nine months after the show first premiered on Broadway. It was made into a movie staring Julie Andrews in 1965. While the story does not remain true to the real-life account of the von Trapps, it is nonetheless endearing and timeless, and The Sound of Music will continue to inspire audiences for many years to come.

By: Patrick Sharple

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